Photographers invited

André Dusek, was born in Rio de Janeiro in 1956 and lives in Brasilia since 1975. He began shooting professionally in 1978. He graduated in Communication / Journalism at UNB in 1979. He worked in the headline Magazines and Facts & Photos from 1978 to 1980. It was photographer newspaper Correio from 1980 to 82. He was president of the Union of Photographers of Brasilia in 1983/84. He was a member of the 1982 AGIL Photojournalism agency 89. State Agency and worked in newspaper O Estado de São Paulo from 1988 to 94. From 1994 to 2006 he was a photojournalist of Istoé magazine, Brasília branch. In 2000/2002 was the Commissioner Director of Ethics of Journalists DF Professionals Union. For his work in photography was awarded the Order of Rio Branco medal in the rank of Knight. In 2006 he returned to join the team of photographers Jornal do Estado de São Paulo / State Agency in Brasilia where she works today.

Guest photographer of the museum of documentary photography Born in 1951 in Barcelos / Portugal. Begun his career at the Mackenzie University, in 1973. In 1981/1982 received the International Nikon Prize / Japan. Currently is the Editor in Chief of Pulsar Imagens

ERALDO PERES, documentary photographer and journalist. He worked for several newspapers and is currently working as a correspondent for the international news agency The Associated Press (AP), in Brasilia, director of the Photo Agency and president of Cultural Lens - Photographic Collective. executive director of the Month of Photography festival held annually in Brasilia. Director Regional Network Midwest of Cultural Producers of Brazilian Photography (RPCFB). Midwest representative in the Sector of Visual Arts - CNPC / Ministry of Culture. Coordinator of Sector photograph of the Council of Culture, with the Secretariat of Culture of the DF. In the last twelve years, among other projects, he dedicates his work to the Brazilian party Projects and Children of Earth, carrying photographic and audiovisual documentation of the Brazilian intangible heritage, with emphasis on the traditions and celebrations of popular culture, especially in rural areas and regions center -west, north and northeast of Brazil.

Photographer since 1995, was in black and white photographic laboratory began to sharpen his gaze to the photojournalistic language. Since then he worked in the newspaper Gazeta Mercantil, Community and Brazil Tribune and also in agencies BG Press and Photoagência, besides acting as a stringer agency Associated Press, Reuters and AFP. Since 2006 is part of photojournalists team Agency Brazil / EBC, having as its main covers the visit of Pope Benedict XVI to Brazil, the possessions of Lula and Dilma presidents, the visit of US President Barack Obama to the country, Rio 20 and the demonstrations that shook Brazil in 2013. the reporter-photographer was winner in the group, Vladimir Herzog prize for Amnesty and Human rights in 2009 and the contest "the end of Clics" promoted by Campinas Photography Center in 2012. in 2014 promoted the exhibition Noir Brasilia, where photos high contrast dialogued with the architecture of the capital.

The art of photography is much more than just portray a scene. It is immortalize a moment that can last little more than a second, depicting everyday, recording a fact or revealing an emotion. Shooting is to make history and to contribute so that it is not forgotten, either by photojournalism, by advertising, either by a simple family portrait. Francisco Stuckert is one of those professionals who surrendered to the fascination photography, specializing in photojournalism.

Gonçalo Lobo Pinheiro (Lisbon, Portugal, April 4, 1979) is a Portuguese photojournalist. He has lived in Portugal for 30 years, but currently resides in Macau, China. His closest family does not have an artistic tradition, so it is justified that at the age of 18 he has taken real knowledge with the world of photography. He knows many Portuguese photographers from the most diverse areas and with them he learns and continues to learn. After four years of studying Geological Engineering at the Faculty of Science and Technology of the New University of Lisbon, he comes to the conclusion that this is not what he wants to do and goes to the course of Communication Sciences, Journalism variant, at the Autonomous University of Lisbon, Which ends in 2005. Since 1999 he has been writing and poetry

My name is Isabel Abreu, born and raised in the capital city of São Paulo, with brief interludes in Rio de Janeiro and Montreal. I started photographing because I wanted to record the growth of my grandchildren for I did not have the chance with my children. I strongly believe that having good pictures of meaningful moments in life is something to cherish. Besides, one always photographa for the future. As love is great and powerful, my love for photography has grown over the years and took me out of the comfort zone, made me talk to strangers, made me learn other languages ​​and gather with friends around the world. It is by photography that I look and think the world. I also intend to develop a consistent and coherent body of work with regards to my choices in photography. Very much influenced by the work of Josef Koudelka, Jacob Aue Sobol, Animesh Ray to name a few. Hope you enjoy the view.

Kim-Ir-Sen, 64, with 44 years in professional photography. In his resumé, a great experience in photojournalism, advertising and ecological and social photodocumentation acquired at work for various newspapers and magazines in Brazil and abroad. In the 80s it was a partner of AGIL Photojournalism, an agency that was a reference to investigative journalism in Brazil. Currently living in Goiânia, Goiás, he invests in some personal projects and in his Image Bank formed by thousands of images: www.kimage.com.br, a company dedicated to developing multimedia interactive projects, cinema and videos. He is a Postgraduate in Visual Anthropology at the Catholic University of Goiás, held 44 group exhibitions and 14 individual ones in Brazil and abroad.

Luiz Humberto Miranda Martins (Rio de Janeiro RJ 1934). Photographer. Degree in architecture in 1959 from the National School of the University of Brazil (currently the Federal University of Rio de Janeiro), part of the team of teachers who founded the University of Brasilia in 1962, where he teaches initially architecture and urbanism and subsequently photo , becoming in 1992 the first professor of this subject in a Brazilian university

Luis Jungmann Girafa was born in Juiz de Fora, Minas Gerais in 1950. He graduated in architecture at the University of Brasilia (UNB) and has worked as a visual artist, filmmaker and photographer. His work includes diverse expositions in Brazil as well as internationally. His cinema experience as art director includes four short length films and several full length films including the acclaimed Louco por cinema, by André Luiz Oliveira. As a photographer, he has released two books: Anônimos do Rossio and Conversa Paralela. The exposition, “memorias abstratas de alguns trajetos”, is a collection of photos made while wandering the streets of various cities.

 SAVANNA IMPRESSIONISTIC There are times when the photographic activity is a process of total detachment. When there is no will and a goal of what to do, the procedure becomes purely intuitive. We enter into an endless space where nothing is given or pre-established. The commitment is to identify with the charm, which manifests itself in.               Imbued with this provision, the Austrian photographer Ernst Haas once said that photography is a big ocean we swim in different ways and at different depths. I think that this perception has to do with what we are talking about.            I say this because in the segment of our professional work we are subject to obey the guidance of those who hire us. That is, we have to capture the images according to what the customer wants. There is nothing to discuss, the result has to please the contractor.              As the path closed every day, this superb vegetation in greatly provides a free shot. We faced with wonderful compositions in space chromatic aberration as the aesthetic form.              The Vital Energy is expressed in various forms of life, giving us a grand spectacle.             And in the context of creative and artistic impulse come times when painting and photography have common expressions. Since the source of drinking the artists to borrarem its beautiful screens, also quenches the thirst of photographers sensitized by light.             This exhibition SAVANNA IMPRESSIONISTIC, like other picture I made, were drawn up in full relaxation time interval and momentary harmony with the image that appears in our universe.              It is a personal project!

Marcos Santilli became a professional photographer in the early 1970s, while still studying architecture at the University of Brasilia. At the invitation of Luis Humberto Pereira, he began working at Jornal de Brasília. After a season in London, where he went to study photography, Santilli began to work for the publisher Abril, whose branch and Brasilia covered the entire northern region. In this period, from 1974 to 79, he was able to make about 15 trips to indigenous areas. He published mainly in the magazine Veja, but also in other publications of the publisher, like the extinct Reality. He was among the Tucano and Maku, on the border of Colombia, the Urubu of Maranhão and the Xavante and Pareci, in Mato Grosso. He also participated in an expedition to Rondônia, when he first visited the Suruí Paiter in 1978. With them, Santilli acquired great familiarity and continued to visit them over the years. The article published after the expedition, which lasted about a month, lifted the complexity of road construction and formation of cities from that road to the Amazon: hordes of immigrants implementing the civilization project in western Brazil. The impact of these migrations on indigenous communities aroused his curiosity about the human and environmental transformations of this colonization movement in Rondônia, which led him to develop, in 1977, the Nharamaã project of audio-photographic documentation. It did not start, used its own resources to finance it, and then obtained a grant from the Guggenheim Foundation to continue this project.

Self-taught, began his career in walks through the countryside, in 2015 received the Awards, ubris PHOTOGRAPHY AND WELL RELEASE GOD sponsored by Mount Zion Monteiro. He is currently a photographic director of the project "Doll House" project designed to help needy families victims dry.

A legend in photojournalism, Brito dictated the photographic making in journalism for 40 years, is a master at documenting the political history of Brazil. Currently photographer in Aécio Neves campaign for president Brasil.Mereceu the prize World Press Photo of the Van Gogh Museum, Amsterdam. Eleven times received the April Photography Prize, including Hors Concours. Photographs in the collection of the Pompidou Museum in Paris.

Photographer Brasiliense, to 11-year-old won his father, his first camera, which aroused a profound change in how we view the world. Self-taught, always sought the look and the construction of artistic photography, but when he met the work of Sebastião Salgado, Walter Firmo and Claudia Andujar, I will sure what I wanted to present their vida.Tentar the world in its various situations always common , looking uneasy,

Born in São Paulo, em 1966, graduated in Fine Arts, and Master in Art and Technology at the University of Brasília-UnB. Founder of the photographic group Ladrões de Alma, in 1988 in1989, Photography sub-coordinator of the II Latin-American Festival of Art and Culture from 1992 to 1997 photographer for EMATER-DF. Teacher of photography for the University of Brasília from 2002 to 2004. Member of the Cultural Producers' Network of Photography in Brazil – RPCFB. Acted as judge on some contests such as the Marc Ferrez Prize of SESC-DF, in 2007, 2012, and 2014. In 2005, together with photographer Ivaldo Cavalcante, was curator of the exhibit "Conic em Foco", an exhibit which was part of the event FotoArte 2005 Currently, photographic reporter and member of the Cultural Curator Counsel of the Legislative Assembly of the Federal District of Brazil. Took part in a plethora of collective exhibits, in Brazil and abroad

Lives in Brasilia since 1959 In the 60s, she met Otto Stupakoff who gave him his first lessons and great incentive to improve as a photographer. In 69/70 he studied in Tokyo with a Zen master. Professionalized as freelance, documentary and advertising. Published over 10 books copyright and participated in more than 50 works with other photographers. In the 70s perfected in workshops and internships in Switzerland, England and Italy. Has works in the French Museum of Photography and active photographer recently created Fotoponto gallery in Brasilia.

Sergio Ranalli is a photographer since 1998, currently works as a photo editor of the newspaper Folha de Londrina and in parallel develop authorial projects photography.Has won the Porto Seguro Photography Prize, it was also a finalist for Conrado Wessel Award, in addition to already having won other prizes in photojournalism area. Great Photojournalism: - Haiti 2008 2010 (after the earthquake) and 2011 - Antarctica (2008) - Xingu - Race Kalapalo - 2011 - Saint Peter and Saint Paul Archipelago (2012) - Island of the Trinity (2010) - Amazon 2008 and 2009 (Rondon Project, Jungle Warriors - Cigs - Ships of Hope, Border Platoons) - Embark on Submarine (2010) - Medical and dental assistance in the Paraguay basin in the Pantanal (2010)

Biu is silvinha performer and photographer. Born in 1993, has gone through acting classes, photography, advertising, and philosophy. Lives in search of itself, currently in Goiânia - Goiás. In August 2014 had his first solo exhibition in Brasilia gallery The House of the Red Light.